11 Apr 2013
Jailed Pussy Riot member Nadezhda Tolokonnikova to continue activism

Miriam Elder
The Guardian
April 8, 2013

A member of the anti-Kremlin punk band Pussy Riot has vowed to continue her work as a political artist in her first interview with the western media since being sent to prison eight months ago.

Nadezhda "Nadya" Tolokonnikova, 23, sounded defiant in the 15-minute telephone interview from her prison colony in Mordovia, a central Russian region infamous for its high number of prison camps. She has been at the distant women's penal colony since October, serving the remainder of a two-year sentence on charges of "hooliganism motivated by religious hatred".

Tolokonnikova and two other members of Pussy Riot, Maria Alyokhina and Yekaterina Samutsevich, were found guilty in August last year after they performed a song criticising Vladimir Putin and the Russian Orthodox church in Moscow's Christ the Saviour Cathedral. Samutsevich was later given a suspended sentence.

In a phonecall monitored by prison officials, who repeatedly interrupted the conversation in order to prevent Tolokonnikova from talking about politics, the Pussy Riot founder said she had no hope that Putin's government would release her early.

A court in Mordovia is due to hold a parole hearing in Tolokonnikova's case on 26 April. Although the interview was held one day after the parole hearing date was set, Tolokonnikova, who has been kept largely in an information vacuum, said she had not heard the news.

"For me, the parole hearing means nothing," she said. "In our case, the government wants us to recognise our guilt, which of course we won't do," Tolokonnikova said. "I submitted the parole documents to show that they cannot break a person."

Pussy Riot's supporters have accused Putin of orchestrating the case against them. The women carried out their 40-second cathedral performance in the runup to a contested March presidential election that brought Putin back to the Kremlin. The highly publicised trial against them signalled the start of a sweeping crackdown on the opposition.

Tolokonnikova has also continued to appeal against her guilty verdict through the Moscow court system, and is one step away from it reaching the country's pliant supreme court. Late on Sunday, a leading judge in the Moscow appeals court denied that the case against the women of Pussy Riot was political. "We don't hear political cases," Olga Yegorova said in an interview with state-run NTV television. "It is in my power to lessen their sentence – it's not excluded that that will happen."

The case against Pussy Riot, conducted at lightning speed and rife with procedural abnormalities, highlighted the politicised nature of Russia's court system. Their guilty verdict sent a warning signal to the largely young and urban opposition, while the state's representation of Pussy Riot's performance as an attack on the church pandered to the post-Soviet growth in religious sentiment in the Russian heartland.

The next political trial due to shake the nation is that of the opposition leader Alexey Navalny, whose trial is set to start in the city of Kirov, 500 miles from Moscow, on 17 April. He has been charged with embezzlement in a case he believes has been designed to silence him.

Before being cut off by a prison official, Tolokonnikova said: "I hope they don't have the impudence to jail him – because, after all, he is even more of a media figure among the people than the members of Pussy Riot, at least in Russia.

"I'm very happy he exists, as I'm happy that any political activist exists, especially someone who is willing to spend all his time and energy to change the political situation in Russia," she said.

Tolokonnikova spends her days adhering to a strict prison regimen dominated by work in the colony's factory, sewing uniforms for various Russian officials. She said she felt fine and that "it could be worse". She takes medicine daily for persistent headaches.

Asked if she had begun to think about life after prison, Tolokonnikova said: "My life isn't going to change – there will be new key components because of the experience I've gathered here. The vectors of politics and art will continue the same."

The prison routine leaves her little free time. Whatever time she gets goes towards reading books and the many letters from supporters delivered to her twice a week. Any information from the outside world comes from the newspapers and magazines that her relatives bring her during visits.

"I try to use all my time constructively – productively, creatively. I'm trying to learn how to relate to all this with interest, and I think I am achieving it," she said. "If your mood is bad, then time goes slow. If you learn to live paying attention to life and valuing it, even here, then time isn't lost.

"That's my main task: to make it so that the time they tried to take from me isn't lost. And I think I am successful."

04 Mar 2013
A Pale Reflection of Reality

March 4, 2013
By MASHA GESSEN for the NY Times

MOSCOW — The press materials called it “political theater.” Last Friday through Sunday, three of the most important Russian political trials of the last decade were to be re-enacted in compressed form by people who had either taken part in them or might have taken part in them. Staged by the Swiss director Milo Rau, the “Moscow Trials” series was being performed at the Andrei Sakharov Museum and Public Center, itself a contested space. It would be filmed, for airing on television, presumably anywhere but in Russia, where a Western view of these trials could hardly be broadcast to a wide audience.

Read the Full Article

14 Jan 2013
The Political World of Moscow Theater

 

14 January 2013
John Freedman
selected from The Moscow Times

The latest installment of an ongoing project conducted by director Varvara Faer at Teatr.doc. Titled "Theater of Witnesses. Pussy Riot," it is a mix of theater, film, journalism and reality show crammed into a single event, whose purpose is to keep attention focused on the plight of Nadezhda Tolokonnikova and Maria Alyokhina, the two women sentenced last year to two years in prison for their "punk rock" protest against PresidentVladimir Putinat Moscow's Christ the Savior Cathedral.

Faer mounts these evenings from time to time, inviting as participants activists who are close to Tolokonnikova and Alyokhina. On Wednesday Tolokonnikova's father and Alyokhina's mother were in attendance, although they did not participate. Most of what could be called a theatricalized press conference focused on Yekaterina Samutsevich, a Pussy Riot member whose conviction was overturned in October, and Taisia Krugovykh, an activist, video artist and friend of the Pussy Riot members.

Krugovykh, who often travels to visit Tolokonnikova and Alyokhina in prison, showed video footage of the penal colonies, and described her experiences with the authorities and the prisoners.

When visiting Tolokonnikova in her prison in Mordovia, Krugovykh "was not allowed to touch her for fear that I might pass her drugs," she explained with a dry laugh.

"There is nothing in these towns," she declared as seemingly endless footage of a cement wall topped by curled barbed wire ran on a makeshift screen. "Just people working at the prisons. You can drive two hours and see nothing but walls."

Alyokhina is allowed to watch video films in her isolation cell in the prison at Berezniki in Perm Krai, said Krugovykh, although the authorities confiscated a film by Jean-Luc Godard because it contained scenes of nudity. "She can't watch films with nudity or about rebellion, revolution or escape from prison," the activist said.

Read Full Article in The Moscow Times

 

05 Dec 2012
Meeting with Pussy Riot Members in Hiding

Spiegel
by Matthias Schepp
12/04/2012

"My name is Tomcat. Nice to meet you," the young woman says. She is standing in a derelict mansion on the banks of the Moskva River. A wooden door is hanging crookedly from its hinges, and the wind howls through a broken window. A snowstorm has been sweeping across the Russian capital for the last two days.

Like the other activists in the protest band Pussy Riot, who use names like Blondie, Terminator, Puck and Schumacher, the petite woman is using a fake name to conceal her identity.
To pose for a photo, she pulls a bright green wool cap over her head, into which she has cut three slits for her eyes and mouth. It's clear that she has long hair, but she doesn't want anyone to recognize much more than that about her.

Only three hours ago, a Moscow court banned four of the group's music and protest videos, and now anyone who disseminates the clips is committing a criminal offense. The judge hasn't seen any of the videos, but her ruling is based on a law that addresses extremism, which is normally used against pamphlets distributed by Chechen terrorists.

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02 Dec 2012
Pussy Riot’s Yekaterina Samutsevich Speaks Out

by Anna Nemtsova

The Daily Best
Nov 30, 2012 4:30 AM EST
 

A member of Russia’s legendary punk-rock band talks to Anna Nemtsova about why she fears for her jailed friends and the message that fans missed

Yekaterina Samutsevich tried not to squint in the bright light of the studio lamps. The 30-year-old Pussy Riot activist, known simply as Katia, stood still as a statue in her broad-shouldered tuxedo jacket, which hung loosely on her frame even after project assistants pinned it to her back. Samutsevich smiled shyly at the cameras. In one hand, she held a toy replica of the Kremlin with an American flag on top. In the other, she cupped a bunch of Russian rubles. The trinkets represented the new reality she faced after being released from jail last month: pro-Kremlin critics accused of her taking money from the U.S. State Department, while anti-Kremlin activists—including her former lawyer—claimed she cooperated too closely with the government.

Samutsevich had created the “Double Agent” image for her participation in a calendar project called “Twelve Dissident Women,” which Russian opposition members were preparing for the New Year. The calendar planned to feature black-and-white portraits of Russian female opposition members and politicians suppressed by authorities. Among the 12 women—all well groomed and impeccably dressed—at the photo shoot at a downtown Moscow studio last week, Samutsevich was the only one who rarely smiled. She was weighed down by grave concerns that often kept her up at night—chiefly, the fate of two of her fellow Pussy Riot friends, who had been convicted of crimes against the state and shipped off to faraway prison camps.

The three women were first arrested last February when their punk band appeared at Moscow’s Cathedral of Christ the Savior to protest against the rule of President Vladimir Putin. That day, Samutsevich had arrived at the church and removed her winter overcoat, revealing a white summer dress and red tights underneath. To disguise her identity, she’d wrapped a red balaclava around her face. She was just unpacking her guitar when security forces grabbed her and carted her away.

The news of Pussy Riot’s imprisonment quickly spread, and Samutsevich and her friends became a cause célèbre, not only for opposition members in Russia but for activists around the world. Madonna and Paul McCartney expressed their support for the band. A video of Pussy Riot’s church performance became a sensation on YouTube. The irony, Samutsevich said, was that she didn’t consider the Christ the Savior performance particularly memorable. They’d previously performed their entire signature song—titled “Virgin Mary, Chase Putin Away”— in nightclubs, on the subway, and even in Red Square. But at the church, “the girls did not manage to sing even the first line of [the song],” she said. She also worried the video clip that later appeared on the Internet was so poorly edited, “nobody understood anything about our feminist ideas.”

When Samutsevich talks, she comes across as calm, serious and mature. But a casual stranger could easily mistake her for a teenager, with her black rocker T-shirt, sweatshirt, and jeans. Since her arrest—and subsequent imprisonment—she’s become more “strong-willed,” says her girlfriend Natalia, a short woman with dark hair and pale skin. The two met at Moscow’s Rodchenko School of Photography and Multimedia seven years ago, and soon discovered a shared love of contemporary art, feminist ideas, and literature. “Katia is a real intellectual,” said Lyudmila Zinchenko, Samutsevich’s former photography teacher. “Always studying and reading about challenging themes. I remember she’d rather work on her deep art projects than drink at parties.” For her diploma project, Samutsevich constructed an Internet browser that would distort the content of any website it found. The point: to show the Russian people how all media—Internet included—dispenses false information.

Modern art was Samutsevich’s second profession—she’d formerly been a software programmer for a military institute, working on operative systems for nuclear K-152 submarines. She still has her thick blue navy uniform, and wore it to the street protests last year to keep warm. She quit the military, she said, after witnessing corruption in the top ranks. But because of her work, which involved a security clearance, she was confined to Russia for five years.

Samutsevich’s artistic mission grew more focused last year, when she founded Pussy Riot with seven female friends. “Our art is meant to make the entire world laugh at Putin, so that not a single self-respecting leader would agree to sit down at the same table with him,” Samutsevich said. She shook her head, which sported an edgy haircut—short on one side, long on the other—that she’d received in prison shortly before her release. Her six months behind bars “challenged my stamina,” she said. She passed the time talking to her fellow inmates about Pussy Riot’s philosophy and introducing them to her favorite thinkers, Judith Butler of ‘queer theory’ fame and Slovenian cultural critic Slavoj Zizek. “Most Russian women are interested when you sit down and talk to them about queer theory and international women’s studies,” Samutsevich said.

Now that she has been released, Samutsevich is focusing her attention on how to save her two jailed friends, Nadezhda Tolokonnikova and Maria Alyokhina. “They are having a bad time in the sexist crowd” in the prison camps, Samutsevich said. “Nobody understands our ideas.” Last week, Alyokhina, the group’s red-haired poet, asked prison authorities to move her to a single-person cell after being verbally threatened by other women in her Ural Mountains labor camp, 715 miles northeast of Moscow. “We should pull them out as soon as possible,” said Samutsevich, who has the authority to appeal court decisions on behalf of her fellow Pussy Riot members. She’s also looking into the activities of the lawyers who represented the group during their trial. “The former Pussy Riot lawyers collected in their personal bank accounts thousands of dollars that our fans contributed from all over the world to support us,” she said. One of the former lawyers, Mark Feigin, disputes Samutsevich’s claims, saying, “All accounts were public and transparent.”

Meanwhile, Samutsevich was determined to continue changing Russian minds—although there’s one Russian in particular she’s given up on. “I won’t waste my time talking to Vladimir Putin,” she said. “He is not interested in the truth.” She talked about a recent opposition art project that Putin misinterpreted. “To show the discrimination of gays, illegal immigrants and Jews in Russia, our activists staged [fake] hangings” wherein they identified as members of one of those oppressed groups. “Putin said that one of us hanged a Jew in effigy, [and called] to rid Russia of such people. Either his aides gave him false facts, or Putin preferred to distort reality,” Samutsevich said.

Such artwork could conceivably provoke the authorities into arresting her again, but Samutsevich remained undaunted. “Life behind bars is a waste of time,” Samutsevich said. “But authorities should realize that prison will not stop the protest.”

 

http://www.thedailybeast.com/articles/2012/11/30/pussy-riot-s-yekaterina...

29 Nov 2012
Hermitage instils shock of the new with contemporary art wing

Miriam Elder
guardian.co.uk
Wednesday 28 November 2012

 

It has been home to tsars and one of the finest art collections on Earth. Now with a new wing slowly opening to the public, the Hermitage in St Petersburg is inching its way into contemporary art, a controversial world in a country regularly accused of censorship.

With four exhibits going on show over the past two months, the museum's new wing, inside a building that once housed the tsarist-era finance ministry, has moved one step closer to its official opening – 2014, when the Hermitage will celebrate its 250-year anniversary.

The renovated general staff building, which faces the Hermitage's famed baroque facade, is to be entirely devoted to modern and contemporary art. "We want it to be done so that this art is found to be on the same level as the 'old collection'," said Dmitry Ozerkov, the director of the museum's contemporary art department. "We want to create a dialogue between old and new."

A glass ceiling creates an atrium out of the building's former courtyard. The works of Dmitry Prigov, a dissident in the Soviet era and a critic of the Russian authorities until his death in 2007, now line three rooms, one of which will turn into the wing's first permanent exhibit.

Downstairs, hundreds of figurines, some dressed in Nazi uniforms, many depicting scenes of violence and suffering, fill nine raised glass cases. Jake and Dinos Chapman's End of Fun has caused controversy in a country where depictions of Nazism are often seen as an affront to Russia's efforts during the second world war.

"I didn't believe this was possible in Russia," said Kostya Mitenev, a St Petersburg artist who attended the show's opening late last month. "They are breaking taboos. I'm sure if they [the Chapmans] were Russian, not one gallery would show them."

Accusations of censorship have long haunted Vladimir Putin's Russia. Exhibits are regularly shut, particularly when they are seen as offending the country's powerful Orthodox church, whose head is a close ally of the president.

Last month, an exhibit called Icons, which featured religious symbols, was cancelled in St Petersburg. The city authorities requested it be put off, said its curator, Marat Guelman, accusing the government of censorship. Another exhibit he curated in Moscow, devoted to the punk band Pussy Riot, was attacked by Orthodox activists. In 2007, a photograph of two policemen kissing by the art duo Blue Noses was banned from leaving the country for an exhibition of Russian works in Paris.

Yet the relationship between the state and art remains complicated. In 2010, the radical performance art group Voina was awarded an innovation prize by the ministry of culture for painting a massive phallus on a drawbridge across from the St Petersburg HQ of the FSB, Russia's security services. Several members of Voina went on to form Pussy Riot, two of whom are now serving two-year jail sentences for hooliganism after performing an anti-Putin song in a Moscow church.

"Pussy Riot has no relationship to art … to modern art, to old art, to any art," Russia's culture minister, Vladimir Medinsky, said during a recent press conference. "They are sitting in jail not as artists, but as hooligans. There is no censorship in the country in any form."

Ozerkov also bemoaned the politicisation of art in Russia, saying: "We've spent 10 years catching up with what happened before – artists were often left to shout 'We're here, notice us!'"

Pointing to an acclaimed exhibition of contemporary Russian art at the Saatchi gallery in London, he added: "Now there are signs we are reaching a new level."

Read Article in The Guardian:

13 Oct 2012
Pussy Riot member uses freedom to resume protests against Vladimir Putin

Guardian
by Miriam Elder
Friday, October 12
Yekaterina Samutsevich, the Pussy Riot member freed by a Moscow court this week, has promised to continue taking part in the band's anti-Putin protests, saying she would be "more careful and more clever" to avoid another arrest.

On Friday, in her first newspaper interview, Samutsevich said her parting words to the two band members who remain in jail were that she would continue their struggle against the president. But she expects state pressure on her to grow despite her new-found freedom

Read FULL ARTICLE: http://www.guardian.co.uk/music/2012/oct/12/pussy-riot-resume-protests-a...

Photograph: Max Streltsov for the Guardian

28 Sep 2012
As Appeal Trial Approaches, Pussy Riot Asks the World for Help

Mother Jones
By Erika Eichelberger|
Fri Sep. 28, 2012 3:01 AM PDT
The riot grrrls who walked into Christ the Savior cathedral on February 21st, screamed, danced and asked the Virgin Mary to “put Putin away,” are now locked up in a medieval castle-style detention center in Moscow. Nadezhda Tolokonnikova, Maria Alyokhina, and Yekaterina Samutsevich were sentenced to two years in prison on August 17 on charges of "hooliganism motivated by religious hatred” for their performance protest. An appeals trial is scheduled for October 1st, but no one is holding their breath. Instead, the Pussy Riot team is turning to the international community to try and put pressure on Putin.

The whole world, including Prime Minister Dimitri Medvedev and Russian Human Rights Commissioner Vladimir Lukin, has condemned the absurd sentence. But that doesn’t matter, says Mark Feygin, one of the Pussy Riot defense attorneys, since, as Mother Jones' Sydney Brownstone reported, the verdict was basically phoned in by Putin. In court on Monday, the lawyers will point to the breaches of law that occured in Pussy Riot's initial trial, including barring key witnesses and experts from testifying and preventing defense lawyers from having confidential discussions with the three band members. Alisa Obraztsova, a legal assistant for the defense team, says the court may reduce the sentence by a few months, "just to show that the appeal is working. But we cannot be sure even in this."

The state is now cracking down on the women's lawyers too, launching criminal investigations against Feygin and Violetta Volkova for their involvement in May's anti-Putin protests. The lawyers assume the third member of their team, Nikolai Polozov, will also be targeted. "We estimate this is a sign of pressure from the authorities," Feygin said through a translator, since he says none of them were involved in any protest-related violence. They fully expect to be arrested after the appeals court decision is handed down next week, but Feygin maintains that "we are not afraid."

Read Full Article

24 Aug 2012
Pussy Riot Trial Unleashes Putin’s Secret Weapon: The Orthodox Faithful

TIME
Simon Shuster
August 23, 2012
The prison sentence handed down last week against three members of Pussy Riot, a group of activists opposed to President Vladimir Putin, will restrict a lot more than the personal freedom of the young women convicted. Judge Marina Syrova sentenced them to two years in prison for offending the faithful of the Orthodox Church by performing a crude anti-Putin song near the altar of a Moscow cathedral last February. While many were offended by the gesture, the judge’s verdict has put the state’s seal of approval on the righteous anger of one community, and that anger is proving hard to control.

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19 Aug 2012
The History of Pussy Riot, From Activist Art Origins to the Dramatic Trial and Final Sentence

ARTINFO
by Kyle Chayka, Ashton Cooper
August 18, 2012

Pussy Riot founder and former Voina member Nadezhda Tolokonnikova told the Guardianthat “art is politics.” When asked if the band considered themselves protesters or artists, she responded, "We couldn't imagine ourselves without one or the other. We don't understand how an artist can think about society but say he's apolitical." In the timeline below, ARTINFO charts the founding and growth of Pussy Riot alongside the provocative political actions that landed them both in jail and in the international spotlight.

VIEW TIMELINE